Best Movies Like White Chicks: 10 Outrageous Comedies

If you’re looking for a laugh-out-loud comedy that hinges on a ridiculous, high-stakes premise, then you’re probably a massive fan of the 2004 hit White Chicks. Directed by Keenen Ivory Wayans and starring brothers Shawn Wayans and Marlon Wayans, this film quickly became a cultural touchstone in the comedy landscape. The movie sees two disgraced FBI agents go deep undercover, posing as two wealthy, socialite sisters to foil a kidnapping plot. This simple but brilliant concept provides an endless stream of farcical situations, sharp physical comedy, and surprisingly heartfelt moments that have kept audiences returning to White Chicks for nearly two decades.

The blend of slapstick humor, gross-out gags, fish-out-of-water tropes, and undercover action creates a unique cinematic atmosphere. Fans of White Chicks (2004) often seek out films that offer a similar dose of high-energy, identity-swapping humor, or buddy cop dynamics with a comedic twist. The Wayans family’s signature style—which blends pointed satire with broad, accessible comedy—is hard to replicate, but there are numerous movies like White Chicks that capture that same anarchic, feel-good, and genuinely hilarious spirit. We’ve meticulously curated a list of ten exceptional comedies that share a similar tone, atmosphere, or genius for generating laughs through outlandish scenarios.

1. The Hot Chick (2002)

• 1h 44m
• Genres: Comedy, Fantasy
• Director: Tom Brady
• Writer: Tom Brady, Rob Schneider
• Stars: Rob Schneider, Anna Faris, Rachel McAdams
• Country: USA
• Summary: An attractive but self-centered high-school girl wakes up to find herself in the body of a career criminal.

If the core appeal of movies similar to White Chicks is the hilarious body-swap/undercover identity switch, then The Hot Chick is an absolute must-see. This early 2000s comedy takes the ‘fish out of water’ concept to an extreme level when the most popular, and meanest, girl in school magically swaps bodies with a middle-aged male criminal. The resulting chaos sees both characters struggling to maintain their new, bizarre identities while navigating their respective worlds, leading to brilliant physical comedy and a surprisingly sweet message about empathy. Rob Schneider, in particular, delivers an incredibly committed and funny performance as a teenage girl trapped in a man’s body, nailing the mannerisms and emotional turmoil with comedic precision.

The film excels in creating a heightened reality where the stakes feel personal and funny simultaneously. It uses the body-swap as a vehicle for character growth, much like the Wayans brothers’ movie uses the undercover operation. We see the main character forced to understand life from a completely different, and deeply uncomfortable, perspective, which generates much of the film’s emotional depth alongside the massive laughs. For those who enjoy the spectacle and committed performance required to pull off such an outrageous identity change, this movie offers a similar brand of wild, enjoyable comedy.

2. Big Momma’s House (2000)

• 1h 39m
• Genres: Comedy, Crime
• Director: Raja Gosnell
• Writer: Darryl Quarles, Don Rhymer
• Stars: Martin Lawrence, Nia Long, Paul Giamatti
• Country: USA
• Summary: In order to protect an attractive single mother and her son, a federal agent poses as an obese grandmother.

When discussing films like White Chicks, Big Momma’s House is often the first comparison that comes to mind, and for good reason. Both films share the exact same comedic blueprint: an FBI agent (or agents) must go deep undercover by adopting an absurdly detailed, gender-bending disguise to crack a case. Martin Lawrence, the star of this 2000 hit, transforms into the titular “Big Momma” in a wildly elaborate fat suit and makeup, mirroring the physical commitment of the Wayans brothers’ performances. The comedic genius lies in Lawrence’s attempts to maintain his cover while performing complex law enforcement duties and fumbling through domestic life.

The atmosphere of the film is pure, high-stakes comedy, blending the intensity of a police procedural with the lighthearted absurdity of a farce. Lawrence is spectacular in both roles—the suave FBI agent and the strict, lovable matriarch—creating hilarious contrasts in every scene. Fans who enjoyed the blend of undercover action, family dynamics, and the constant, imminent threat of discovery in the 2004 hit will find a similar, highly engaging viewing experience here. It is a defining entry in the “undercover in disguise” subgenre that the Wayans movie perfected.

3. Dumb and Dumber (1994)

• 1h 47m
• Genres: Comedy
• Director: Peter Farrelly, Bobby Farrelly
• Writer: Peter Farrelly, Bennett Yellin, Bobby Farrelly
• Stars: Jim Carrey, Jeff Daniels, Lauren Holly
• Country: USA
• Summary: The cross-country adventures of two good-hearted but incredibly stupid friends.

While it lacks the explicit undercover element, Dumb and Dumber shares the same spirit of outrageous, committed, and often surreal physical comedy that defines the Wayans’ movie. It is a quintessential buddy comedy focused on two men whose intense loyalty is only matched by their profound, almost unbelievable lack of intelligence. Starring the incomparable Jim Carrey and Jeff Daniels, the film sees the duo embark on an epic, misguided road trip to return a misplaced briefcase, unaware they are being chased by dangerous criminals.

This 1994 classic is a masterclass in committed performance and escalating stupidity, creating a mood of perpetual, absurd chaos. Just as White Chicks relies on the sheer impossibility of the disguise, Dumb and Dumber relies on the sheer impossibility of its protagonists’ survival, generating enormous, belly-deep laughs. Fans of the high-energy, no-holds-barred approach to humor and the genuine, if misguided, friendship at the core of the 2004 hit will appreciate the similar blend of heart and outrageous gags found in this Farrelly brothers classic.

4. Rush Hour (1998)

• 1h 38m
• Genres: Action, Comedy, Crime
• Director: Brett Ratner
• Writer: Ross LaManna, Jim Kouf
• Stars: Jackie Chan, Chris Tucker, Ken Leung
• Country: USA
• Summary: A loyal and dedicated Hong Kong inspector teams up with a reckless and loudmouthed L.A.P.D. detective to rescue the Chinese Consul’s kidnapped daughter, while trying to arrest a dangerous crime lord along the way.

For fans who especially enjoyed the buddy cop dynamics and the contrasting personalities of the two Wayans brothers in the lead roles, Rush Hour is a perfect recommendation. This action-comedy expertly pairs the martial arts wizardry and precise physical comedy of Jackie Chan with the fast-talking, improvisational energy of Chris Tucker. The film establishes a classic ‘odd couple’ dynamic, forcing a disciplined Hong Kong detective and a wisecracking LAPD officer to overcome their differences to solve a high-stakes case.

The atmosphere is one of constant movement, high-octane action, and genuinely witty banter, making it one of the most successful buddy cop movies of all time. While the main characters aren’t undercover, they are fish-out-of-water to each other, creating cultural and personality clashes that are the source of much of the humor. Rush Hour shares the Wayans movie’s core theme of two partners learning to trust and rely on each other amid chaos, all while delivering a steady stream of exhilarating fight choreography and laugh-out-loud moments.

5. Tootsie (1982)

• 1h 56m
• Genres: Comedy, Romance
• Director: Sydney Pollack
• Writer: Larry Gelbart, Murray Schisgal, Don McGuire
• Stars: Dustin Hoffman, Jessica Lange, Teri Garr
• Country: USA
• Summary: An unemployed actor with a reputation for being difficult disguises himself as a woman to get a role on a soap opera.

Going back to one of the genre’s foundational texts, Tootsie is an essential addition for those interested in the ‘man in disguise’ trope that is central to similar movies to White Chicks. Dustin Hoffman gives an iconic performance as Michael Dorsey, a talented but notoriously difficult actor who, out of desperation, adopts the persona of Dorothy Michaels to land a coveted role on a daytime soap opera. Unlike many modern comedies, this film uses the disguise not just for visual gags, but as a sophisticated vehicle for exploring gender roles, sexism in the workplace, and the complexity of relationships.

The mood of the film is witty and sophisticated, blending sharp social commentary with genuinely romantic and comedic elements. The humor is derived from Michael/Dorothy’s constant close calls, his genuine connection with other women, and his unexpected success as an actress, which complicates his real life. Fans who appreciated the way the Wayans brothers had to manage two distinct identities—their FBI personas and their white socialite personas—will love the high-wire act Hoffman performs in this intelligent and enduring comedy classic.

6. Mrs. Doubtfire (1993)

• 2h 5m
• Genres: Comedy, Drama, Family
• Director: Chris Columbus
• Writer: Anne Fine, Randi Mayem Singer, Leslie Dixon
• Stars: Robin Williams, Sally Field, Pierce Brosnan
• Country: USA
• Summary: After a bitter divorce, an actor disguises himself as a female housekeeper to spend time with his children held in custody by his former wife.

Another cornerstone of the ‘man in disguise’ subgenre, Mrs. Doubtfire taps into the heart beneath the hilarity, much like the best moments in the 2004 movie. Robin Williams delivers a legendary, Oscar-nominated performance as Daniel Hillard, a devoted but irresponsible father who creates the identity of a charming, elderly British nanny to circumvent a custody ruling and be closer to his children. The motivation here is deeply emotional rather than criminal investigation, but the comedic mechanism—the sheer impossibility of maintaining the disguise—is identical.

The film’s atmosphere is a perfect balance of genuine warmth, emotional urgency, and incredibly kinetic comedy fueled by Williams’s genius for improvisation and voices. The stress of maintaining the “Mrs. Doubtfire” character, including quick changes and close calls during family dinners, provides plenty of slapstick humor that fans of White Chicks will appreciate. Beyond the laughs, the movie explores important themes of family, divorce, and the lengths a parent will go to for love, giving the comedy a powerful emotional anchor.

7. She’s the Man (2006)

• 1h 45m
• Genres: Comedy, Romance, Sport
• Director: Andy Fickman
• Writer: Ewan Leslie, Karen McCullah, Kirsten Smith
• Stars: Amanda Bynes, Laura Ramsey, Channing Tatum
• Country: USA, Canada
• Summary: A girl disguises herself as her twin brother to play on the boys’ soccer team.

She’s the Man is a modern, high-school take on the cross-dressing comedy that provides a vibrant and fun-filled experience akin to the atmosphere of the Wayans movie. Based loosely on Shakespeare’s Twelfth Night, the film stars Amanda Bynes as Viola Hastings, a soccer star who pretends to be her absent twin brother to prove that a girl can play just as well as a boy. The film capitalizes on the chaotic fun of identity-swapping within the confined, high-pressure environment of a boarding school.

The appeal of this film for fans of movies like White Chicks lies in the comedic tension created by Viola’s complicated double life. She has to convincingly adopt her brother’s male persona while simultaneously falling for her roommate (played by a young Channing Tatum) and fending off advances meant for her female self. This web of mistaken identities, romantic complications, and fish-out-of-water humor makes for a fast-paced, highly entertaining movie that uses the disguise trope to explore themes of gender identity, social expectations, and personal empowerment.

8. Sister Act (1992)

• 1h 40m
• Genres: Comedy, Crime, Music
• Director: Emile Ardolino
• Writer: Joseph Howard, Jim Cash, Jack Epps Jr.
• Stars: Whoopi Goldberg, Maggie Smith, Harvey Keitel
• Country: USA
• Summary: When a worldly singer witnesses a murder, she is put in protective custody in a convent and has a hard time adjusting to her new lifestyle.

If the ‘undercover in an unexpected environment’ element of the 2004 hit is what draws you in, Sister Act offers a wonderful alternative, swapping the FBI’s glamour for the serene (but hilariously disrupted) world of a convent. Whoopi Goldberg stars as Deloris Van Cartier, a lively lounge singer who is placed in a San Francisco convent under witness protection after seeing her mobster boyfriend commit a murder. Her cover is not a physical disguise, but an assumed identity—that of a quiet nun named Sister Mary Clarence—that she struggles spectacularly to maintain.

The film’s atmosphere is upbeat, heartwarming, and musically infectious. Much of the comedy comes from Deloris’s clashes with the strict Mother Superior and her attempts to transform the convent’s notoriously terrible choir into a soulful, vibrant group. Like the best movies like White Chicks, the humor is rooted in a cultural clash and a genuine sense of camaraderie that develops between the unlikely allies. It’s a feel-good film that proves a strong comedic premise, built on an identity shift, can transcend genres.

9. 21 Jump Street (2012)

• 1h 49m
• Genres: Action, Comedy, Crime
• Director: Phil Lord, Christopher Miller
• Writer: Michael Bacall, Jonah Hill
• Stars: Jonah Hill, Channing Tatum, Ice Cube
• Country: USA
• Summary: A pair of underachieving police officers are sent back to a local high school to blend in and bring down a synthetic drug ring.

For an updated, meta-comedic take on the buddy cop dynamic and the high-stakes undercover assignment, look no further than 21 Jump Street. This fantastic reboot stars Jonah Hill and Channing Tatum as two mismatched police officers who are forced to go back to high school undercover. The genius of the film is its self-awareness and how it playfully subverts common movie tropes, making fun of the entire premise while still delivering genuine action and massive laughs.

The film shares the core comedic energy of the Wayans movie, specifically the stress of maintaining an elaborate façade in a highly social environment where the rules have completely changed. The two heroes quickly discover that high school life has shifted dramatically since their own graduation, adding another layer of hilarious disorientation. 21 Jump Street is a sharp, witty, and relentlessly funny film that will appeal to fans who love buddy comedy, undercover mishaps, and a high-octane plot.

10. The Blues Brothers (1980)

• 2h 13m
• Genres: Action, Adventure, Comedy
• Director: John Landis
• Writer: Dan Aykroyd, John Landis
• Stars: John Belushi, Dan Aykroyd, Cab Calloway
• Country: USA
• Summary: Jake and Elwood Blues, a pair of musical brothers, are on a “mission from God” to save the Catholic home where they were raised, by reuniting their old band for a performance.

Rounding out our list is The Blues Brothers, a manic, musical action-comedy that captures the anarchic, high-energy tone and dedicated partnership found in White Chicks. Starring the legendary Saturday Night Live duo John Belushi and Dan Aykroyd, the film follows the titular brothers on an increasingly ridiculous quest to put their old band back together and raise money for their childhood orphanage. They are not in disguise, but their singular focus and determination to complete their “mission from God” puts them at odds with nearly every authority figure in the state.

The atmosphere is one of escalating chaos, featuring some of the most spectacular car chase sequences in movie history and incredible musical numbers. The humor is broad, physical, and deeply rooted in the strong, slightly unhinged bond between the two leads. For fans who appreciate the absurdity of the Wayans brothers relentlessly pursuing their objective against all odds, this 1980 classic offers a similar dose of madcap adventure, committed character performances, and a story driven by an intense and unique partnership.

Shared Threads of Hilarity and Undercover Genius:

The ten films above, much like White Chicks (2004), stand as proof that some of the most effective and enduring comedies are built on a bedrock of commitment, absurdity, and high-stakes social deception. What truly connects all these films like White Chicks is their fearless adoption of the “disguise” or “undercover” trope, using it not as a simple plot device, but as a catalyst for deeply personal, often ridiculous, and ultimately transformative character journeys.

Whether it’s the physical transformation of an FBI agent into a socialite or a middle-aged grandmother, an actor into a beloved actress, or a teen girl into her twin brother, the shared emotional tone is one of constant, impending discovery. This tension is what fuels the best comedic moments: the split-second decision-making, the exaggerated physical reactions, and the close calls that leave the audience breathless with laughter. Furthermore, many of these films, including the Wayans brothers’ hit, are fantastic buddy comedies. They explore the dynamic between two mismatched partners—be they agents, friends, or a father and his children—who must rely on their bond and wit to navigate impossible situations. The core narrative often shifts from mere comedy to a celebration of partnership and identity, proving that a ludicrous premise can still deliver genuine heart and memorable characters.

From the slapstick, cross-dressing chaos of Big Momma’s House and Tootsie to the fast-paced, personality-clash humor of Rush Hour and 21 Jump Street, these movies collectively appeal to fans who love comedies that demand total suspension of disbelief. They are all loud, proud, and unapologetically funny, offering a perfect blend of high-concept setups and grounded comedic performances. We encourage you to dive into any of these selections to recapture the unique, energetic, and side-splitting atmosphere that made White Chicks an unforgettable comedy milestone.

What other undercover comedies do you think capture the same spirit? Drop your favorites in the comments below!